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February 19, 2015#

Carbon Crooks: Screenings and lectures in Halifax, Canada

Skærmbillede 2015-02-19 kl. 08.41.44

Anyone around Halifax, is more than welcome

 

 

October 16, 2014#

Knock on wood for us in Portugal and Germany

PE2014_Nominated

Skærmbillede 2014-10-16 kl. 10.28.03

This week our film will be screened at Cine Eco in Portugal. We are selected in the International competition.

Next week, we will participate at Prix Europa in Berlin, Germany. Here we are competing in the “Current Affairs”.

September 9, 2014#

Berlin, here we come

PE2014_Nominated

Truly great news.

August 19, 2014#

700,000 hits and new nominations

UP IN SMOKE 4 fotograf Bo Tengberg

Good news. We have now passed 700,000 hits on our website, and we are currently attending various festivals were we have been nominated.

Friday, the film is screened at DokuFest in Kosovo. I will attend and join the Q&A.

In October we will attend, CineEco in Portugal. Here we are nominated in the international competition.

And it goes on with Astra Film festival in Romania . Here, we are attending in the category, Eco-cinematograff.

May 18, 2014#

Nominations at festivals

Envirofilm PlaneteDoc Fica

Some extiting weeks to come

 

March 12, 2014#

Carbon Crooks nominated at Envirofilm

Close - arbejdere bangladesh mustensfabrik

Great news: The film have been selected for competition at Envirofilm in Slovakia. Results at the end of May

December 20, 2013#

New blog from Carbon Credentials after the screening in London

With thank’s:

Source:  http://www.carboncredentials.com

In November, a bunch of us from Carbon Credentials headed to the Frontline Club to watch a barbed documentary by investigative journalist Tom Heinemann exploring the dark side of European attempts to efficiently curb carbon emissions through harnessing the power of the market. The piece is leadingly titled ‘The Carbon Crooks and provokes the question: is it equally crooked for an institution to perform incompetently as a legislator as it is for criminals to exploit gaping loopholes in the legislation itself?

A primary purpose of the film was to highlight the stark flaws in the European Union Emissions Trading Scheme’s (EU ETS) framework and to explore not only their exploitation but also to question why they were not remedied sooner.

Firstly, the fact that transactions involving EU ETS credits were subject to a consumption tax exposed them to exploitation, namely the VAT carousel: a well appreciated method of defrauding a national treasury. This was enabled on a staggering scale by extremely lax registration rules in certain countries and the ability to shift a vast quantity (and so value) of credits across borders in an instant, rather than moving physical goods as is traditionally necessary for the scam.

Secondly, the security around accounts and transactions worth millions of Euros was so poor that the theft of credits, by way of hacking, was rife.

 

Billions lost, but who’s to blame?

It is inevitable that if a valid opportunity exists to engage in illicit revenue generating operations, criminal outfits will exploit them. Lo and behold many of the more nefarious organisations of our generation did exactly this.

What is difficult to reconcile is why this effect was not anticipated when the scheme was implemented, why it took €15 billion of illegal activity before significant action was taken (although some nations still apply VAT to carbon credit transactions) and, if each credit is digitally marked and tracked, why little of this criminality has been brought to trial. Representatives from Europol and the European Commission were reported to acknowledge they were able to locate missing credits and track their transaction history, however protested that they did not have the jurisdiction to prosecute.

Both Heinemann and the audience struggled to understand why national governments have taken so little interest in recouping these billions in fraudulent tax refunds and stolen credits, especially given a period of continent wide austerity measures. However, high profile arrests of Deutsche Bank employees in relation to carbon credit trading imply that the crimes were widespread and Heinemann was left with a wry smile when an audience member suggested that perhaps years of crises affecting the financial services, including subprime mortgages, Libor rate rigging and, most recently, rumblings of foreign exchange rate rigging and energy price fixing, have meant that governments cannot afford to have them publicly indicted again.

So, with few prosecutions, who can we label the crooks? The clandestine criminal organisations, the impotent legislating structures or, once again, the financial institutions?

 

A market to rule them all…

A parallel focus of the film explored the more general theme of using market mechanisms for curbing emissions. The EU ETS, a compliance market, suffered plummeting carbon credit prices, leaving emitters in the position where it “has never been cheaper to pollute”. This situation, where credits are almost insignificant in price, is the result of an oversupply of permits whose restriction was rejected by the EU Commission in the face of pronounced lobbying and a further failure to peg the supply of credits to production which fell significantly during the global financial crisis.

Whilst European Commissioner Connie Hedegaard rightly states that the EU ETS is “the most cost-efficient tool in EU climate politics”, poorly managed it is also likely one of the least effective. Indeed it is arguably worse than ineffective as it gives the perception that action is being taken despite no discernible gains being made, allowing policy makers to blindly reassure us that the powers of the market will prevail.

Those engaging in emissions trading, both mandated and voluntary, are given the option to avoid the issued allowance market in paying for a portion of their emissions and to instead finance reduced emissions through Clean Development Mechanisms (CDM). These are represented through credits known as Certified Emissions Reductions (CERs) approved by the UN and accredited by independent bodies which profess to represent real greenhouse gas emission reductions. These credits are intended to allow the twinning of industrial capital to pay for emissions reduction and a sustainable infrastructure trajectory in developing countries.

However, beyond the persistent problem of gross oversupply equally present in this subset of the EU ETS, the documentary explored the worth of these CDMs. Staggeringly, an independent report found that over half of projects ratified for CDM involvement did not meet UN standards, with credits being issued for projects that were already completed or not implemented. In this way, European emissions are decoupled from reduced emissions elsewhere and the carbon market is impotent once more.

Lastly, Heinemann set his sights on the validity of the voluntary carbon market that entices corporations or individuals to offset their emissions, focussing on projects that issue credits ratified on the basis of an economic concept of suppressed demand. These credits do not represent actual emissions but rather the removal of a behavioural preference for emissions in a population that is currently supressed. Individuals are surveyed for a behavioural preference which they cannot fulfil due to their immediate economic circumstances, however if circumstances were to change, individuals are assumed to act on this preference as they are no longer behaviourally ‘supressed’.

The Lifestraw, an ingenious tool for purifying drinking water, was taken as a case study. Individuals from Kenya were surveyed as to whether they would, given the economic power, boil water to purify it for drinking. Unsurprisingly, the vast majority said they would, indicating that there was a large ‘supressed demand’ for combustion and so greenhouse gas emission. A project that could provide clean drinking water would therefore, in theory, entirely remove this tendency towards additional emissions. Whilst this sounds to be an ideal twinning of humanitarian and environmental goals, there is little empirical evidence to encourage faith in the idea that a stated preference to a fantastical situation reveals real intent.

Theoretical issues aside, the efficacy of these credits as carbon reduction vehicles depends on how effective the Lifestraws really are at providing clean drinking water and so removing the stated preference. The technology is certainly effective in cleaning water however its use in day-to-day life was cast into doubt due to the frustratingly slow filtration rate. Individuals, including local political leaders, interviewed by the director stated that their use was very limited. This is in stark contrast to the results of the producer’s surveys, but without any primary evidence released to support this, little can be confirmed.

We can only wonder: is the consumer being hoodwinked by disingenuous promises of emissions reduction in order to fund humanitarian projects of limited use?

 

Problems aplenty, so where can we go from here?

The documentary resulted in a fiery and involving discussion that asked: what now? We were repeatedly shown the shortcomings of the current market based approach, perhaps a relic of ‘90s economic thought, and some of the actors involved at each stage. So if the system is patently broken, how can we fix it?

It is clear that past suggestions to broaden its scope by linking the EU ETS with its Australian equivalent are definitively the wrong solution and can only result in further dilution of carbon credits. Whilst a more networked global effort at greenhouse gas regulation is necessary to avoid the inevitable offshoring of pollution to ‘emissions havens’, the process of integrating disparate carbon markets can only be feasible when carbon prices are stabilised around the point that they encourage the use of cleaner, more expensive technologies or fuels.

Until then, CDMs, despite their flaws, may be used as a sort of ‘currency’ to intermediate between regions in place of wholesale integration. Above all, if we are still determined to place our faith in markets, what is required is strong leadership and regulation of the existing system, not a patchwork of ill-implemented schemes, flawed in their own right.

As an alternative, audience members proposed a retreat to command and control regulation of emissions, an idea given weight by leading climate scientist Jim Hansen (amongst others) last year. However, if the EU Commission have shown themselves unable to sensibly regulate the carbon market, it is difficult to imagine they will have the strength to mandate a necessarily severe price per unit emissions to promote a greener industry. Sadly, time marches on as we sit impotently by, unable to address the situation in the European Union, let alone the broader and more severe global emissions landscape.

 

December 10, 2013#

Point Carbon: EU ETS gets a confidence boost as backloading approved

UP IN SMOKE 5 fotograf Bo Tengberg

The following is a new article printed for Thomson Reuters Point Carbon regarding the backloading of 900 mio carbon credits.

Point Carbon estimates that the price of a credit is likely to be €6 next year.

Compared to what was expected to be around €35 when the EU ETS was introduced in 2005, it’s still a bargain for the polluters.

From Thomson Reuters Point Carbon:

Oslo (10 December 2013)

Today, the European Parliament cleared the final hurdle of backloading 900 million allowances from the European Emissions Trading Scheme (EU ETS) by adopting the legally-clarifying amendment to the ETS Directive by a large majority, according to Thomson Reuters Point Carbon, the leading provider of market intelligence, news, analysis, forecasting and advisory services for the energy and environmental markets.

“Today’s vote finally confirms that  900 million allowances will be backloaded from the EU’s Emissions Trading Scheme (EU ETS) as of next year, said Hæge Fjellheim, Senior Policy Analyst, Thomson Reuters Point Carbon. “This outcome was largely expected as the Parliament has merely confirmed its position from July but it takes away the last spark of uncertainty” she added.

According to Marcus Ferdinand, Senior Market Analyst with Thomson Reuters Point Carbon, “The positive outcome of the Parliament’s vote removes a large portion of risk and could lead to an increase in EU Allowances (EUAs) prices as it ends a lengthy and cumbersome policy process that has kept the market busy for the past two years. However, prices have been rising in recent days and we could see a short-term ‘buy the rumour sell the fact’ reaction where traders take profit on the anticipated outcome”.

As a mere formality, the Council will have to adopt the legal clarification to backload allowances which will most likely happen on 16 December. Furthermore, on Wednesday, 11 December, the Climate Change Committee, which consists of member state experts, should then discuss how backloading will actually be implemented. Three options have been proposed by the European Commission. Wednesday’s meeting will most likely provide an indication as to which option member state representatives favour and this could have an impact on carbon prices this week.  According to Fjellheim, “the detailed implementation of backloading will need some more time, as the process involves a formal proposal by the Commission, a vote in the Climate Change Committee as well as a scrutiny period by Parliament and Council which will most likely start in January, with a final adoption expected around May 2014.”

Ferdinand concluded: “We expect some upside to EUA prices in the coming months as the implementation of the measure becomes more concrete. Assuming the first allowances will be withheld from the market in the second half of 2014, we forecast the 2014 carbon price will increase by 35% compared to this years’ price, to an average of €6/tonne”.

 

 

November 29, 2013#

One quarter of a million hits

losning af Kul i kurve på hovedet

Great news. More than 250,000 hits on the website. I’m honored.

More screenings ahead

November 19, 2013#

The Chilling Effects of Carbon Trading

Filmens billede UP IN SMOKE fotograf Bo Tengberg

Brand new, brilliant article by Mark Schapiro

Printed in the November magazine from Danish Film Institute

Known for prodding sacred cows, director Tom Heinemann takes a close look at the 200 billion dollar market that is the world’s most significant effort to date to curb greenhouse gas emissions. His evidence in Carbon Crooks points to the real victim: the climate.

In his last film, The Micro Debt, documentary filmmaker Tom Heinemann uncovered deep flaws in the micro-credit system set up by Mohammad Yunus’ Grameen Bank. This time, Heinemann sets out to follow the trail of money from the carbon markets to the distant locales where European polluters attempt to “offset” their greenhouse gas emissions. He visits projects in Bangladesh, where we see a supposedly “smokefree” brick factory belching greenhouse gases into the atmosphere, and China, where Heinemann discovers that carbon credits were issued for a wind farm that was never connected to the power grid. That’s when he realizes it’s not just about one project or another. The problem lies with the financial system of carbon trading itself.

In Carbon Crooks, Heinemann ventures into rarely investigated terrain: the European Trading System, in which companies are supposed to purchase allowances and offsets for their greenhouse gases. The system was conjured out of the negotiations over the Kyoto Protocol in 1997 and is a largely American creation that, Heinemann demonstrates, the Europeans were left to implement after the US pulled out of the global accord in 2001. Carbon Crooks is an investigation into this multibillion dollar carbon market – a huge amount of funds flowing around the world that few understand and even the international police agency Interpol describes as a “legal fiction” because of the counter-intuitive nature of investing in a commodity in order to make it disappear.

Heinemann opted to present the story like multiple chapters of a crime story, with ominous atmospherics by cinematographer Bo Tengberg, known for his work on The Killing and other highend dramas. Creating the mood of a noir mystery, Heinemann’s interviews with participants in the Kyoto negotiations are filmed like they are crime witnesses coolly recollecting Europe’s surrender to the United States as if it had just happened yesterday. The filmmaker’s main inspiration was Charles Ferguson’s Inside Job, which probed the equally opaque machinations of the 2008 global financial crisis. Seeking to uncover the mysteries of the carbon market, Heinemann found many corollaries between Ferguson’s probe into the perverse financial mechanisms and the weirdly ingenious ways that traders and criminals have devised to manipulate the imaginary commodity at the heart of the carbon markets – which despite being called “carbon” is actually traded as a digit on a computer screen. First, there are the traders. Heinemann elicits statements from several who are remarkably candid about the ease with which huge profits can be made from gambling on carbon prices – which have been in steady decline, undermining the market’s very reason for existing. Second, there are the criminals who profit from mastering the highly complex and obscure machinations of the market. Heinemann looks into the hackers who looted the Czech Republic’s central register of emission allowances and the fly-by-night traders who basically took over the Danish trading exchange and, before skipping town, pocketed – not paid – at least five billion euros of VAT. A French carbon fraud expert estimates that the schemes so far have costEuropean taxpayers at least 15 billion euros.

The effect is that of a financial thriller – but, alas, it’s a real story. What’s being scammed is the single most significant initiative the world has yet come up with to try and curb the emission of greenhouse gases into the atmosphere. The film is about a white-collar crime with the highest possible stakes: the stolen funds were among the precious billions that Europe was supposed to commit to help steer us away from fossil fuels •

Carbon Crooks had its national release in September and is produced by Søren Steen Jespersen for Larm Film.